Physique de l’expression

Art Make-up 1, ou Art make-up 2, ou encore.

Ou bien : 

“Thank you thank you thank you thank you …”

“Think think think think think …”

“You may not want to be here.”

“OK OK OK OK OK OK…”

“It was a dark and stormy night. Three men were sitting around a campfire, One of the men said, ‘Tell us a story Jack.’ And Jack said, ‘It was a dark and stormy night. Three men were sitting around a campfire. One of the men said, ‘Tell us a story, Jack’… “

“Work work work work work …”

“Live and Die, Die and Die, Shit and Die, Piss and Die…Fail and Live, Smile and Live, Think and Live, Pay and Live …”

“I’m having fun, you’re having fun, we are having fun. This is fun. I’m bored, you’re bored, we’re bored, life is boring. I’m boring, you’re boring, we’re boring, this is boring.”

“Get out of my mind, get out of this room.”

“His precision and acuity left small cuts on the tips of my fingers or across the backs of my hands without any need to sit or otherwise withdraw.”

“Feed me, eat me, anthropology … help me, hurt me, sociology … feed me, help me, eat me, hurt me.”

Bruce Nauman, Get out of my Mind.

Que photographier ?

Attester de la «véracité de l’image», démultiplier son pouvoir fétichiste, ne contrarier la frénésie du voir par aucune velléité formelle. Jouer sur les mêmes fantasmes voyeurites du spectateur par l’exhibition publique de l’intime, de ce qui habituellement ne circule que dans un cercle social restreint (album de famille par exemple). Voyeurisme et «objectification du sujet», qui ne peut se réaliser, dans ces simulacres de récit personnel où l’identité mise en abîme est autant celle de «moi» que d’anonymes, sans une identification.

Mon Nöel.